HAWKV-LITE HAWK V-LITE €2,500.00 VAT excluded HAWK VLITE RENTAL Hawk V-Lite Anamorphic lenses have become the standard of the Film and advertising industry. They are light and offer great image quality. These lenses have achieved improvements such as increased definition and contrast.
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SigmaFP - Hawk Anamorphic V-Lite 2x (CinemaDNG 12Bit) Edit: All the material was shot with Firmware 1.02. Most of it was shot in 4K Full Frame. The lens doesn't cover the full frame sensor but it goes a bit far away than in s35 mode, specially on the top and bottom. *The last three shots were shot in 1080p, which I felt has the most. daystate
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Directedby | Yann Demange Cinematography by | Tat Radcliffe Editing by | Chris Wyatt. Starring | Jack O'Connell, Sam Reid, Sean Harris, Paul Popplewell. Cameras | ARRI ALEXA Camera, ARRIFLEX 416 Camera. Lenses | Hawk V-Lite 16 Lens, Hawk V-Lite Vintage´74 Lens.
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Hawk$279.00. Gunmetal Jewelry Quality frame finish. American Gray - Our signature neutral gray tint lens, originally engineered for military pilots. Maintains 'true' color and contrast distribution throughout all light and terrain conditions. Polarized - glare prevention with UVA/UVB protection. SkyForce™ Nylon Polarized lenses with
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OI8a6o. Since its mainstream introduction in the 1950s with CinemaScope, anamorphic cinematography has captured the imaginations of filmmakers and audiences alike. The cinematic width, the oval bokeh, and the characteristic flaring all add up to a unique and distinctive Rental offers a range of modern and vintage anamorphic lens options, covering different squeeze ratios and delivering different looks. Among them are our own exclusive ALFA lenses, which are designed for large format. Anamorphic lens lists ARRI Rental ALFA - T340 / 47 / 60 / 72 / 90 / 108 / 145 / 190 mm FFA Scorpio Zoom 2x Anamorphic 138-405 mm ARRI/Zeiss Master Anamorphic / 35 / 40 / 50 / 60 / 75 / 100 / 135 / 180 mmAtlas Orion T232 / 40 / 50 / 65 / 80 / 100 mmCanon Xtal Express - / 30 / 35 / 50 / 85 mm includes doubler for 50 mmCineovision - / 35 / 40 / 50 / 85 / 100 / 135 / 200 mmCooke Anamorphic/i - / 32 / 40 / 50 / 65 / 75 / 100 / 135 / 180 mm Cooke Xtal Express - / 50 / 75 / 100 / 200 mmHawk C-Series - T325 / 40 / 50 / 60 / 75 / 100 mmHawk V-Lite - T335 / 45 / 55 / 80 / 110 mmHawk V-Plus - / 40 / 50 / 65 / 75 / 100 / 120 mmHawk V-Series - T330 / 35 / 40 / 50 / 60 / 75 / 100 / 135 / 180 / 250 mmKowa Mirrorscope - / 50 / 75 / 100 mm includes 30 mm wide-angle adapterLomo Anamorphic - / 50 / 75 / 100 / 150 mmToyo Eiki - / 50 / 100 / 203 mmZeiss Cinema Speedstar T235 / 50 / 85 mm Angenieux anamorphic zooms30-72 mm T4 / 44-440 mm and A2S / 48-580 mm / 56-152 mm T4 / 50-500 mm Ultra-Wide Anamorphic Zoom 19-36 mm K-35 25-120 mm macro Cooke anamorphic zooms28-140 mm / 36-200 mm / 40-200 mm / 50-500 mm / 50-500 mm Ultrascope 76-300 mm Diverse anamorphic optics Modern options ARRI/Zeiss, Cooke, Hawk Vintage options Cineovision, Xtal, Kowa, Lomo Get in touch Find out more about our anamorphics... In your own words Cinematographer Robert Yeoman ASC "Mamma Mia! Here We Go Again" I always felt anamorphic lenses have almost a magical quality to them. Cinematographer John Conroy "The Happy Prince" Master Anamorphics are wonderful on the skin; they're sharp but not too sharp and they have a really nice creaminess to them. Here's what's been happening...
The new range of Hawk V-Lite Anamorphics are designed from scratch and are unique in the sum of their features. High performance optics – Although the current Hawk lenses already perform exceptionally well, further improvements have been achieved. The center of efforts was to minimize distortion and to increase definition and contrast over the entire image. The manufacturing process of the optical components has been further optimized in several aspects. The new lens set is fully matched to all other Hawk Anamorphics. Analog & Digital – Vantage uses telecentric designs for all Hawk V-Lite optics. These lenses perform equally on film and digital cameras. Constant T-Stop – The engraved T-Stops on the Hawk V-Lite lenses are constant from infinity to close focus. Contrary to other lenses, there is no light loss while focusing. The maximum light transmission is maintained throughout the whole focusing range. Less weight – The weight of every lens has been reduced up to 20%. New PL-Mount – The PL-Mount was redesigned in order to avoid internal reflections within the camera.
Hawk V‑Lite 2x anamorphic lenses deliver the unique look and reliability of Hawk anamorphic glass in a smaller package. The combination of their optical characteristics, robustness, user-friendliness, range of focal lengths and surprisingly small size – smaller than many commonly used spherical primes – has made them popular worldwide. Add to kit list Hawk V-Lite 2x Anamorphic professional cine lenses deliver the unique look and reliability of Hawk Anamorphic glass in a smaller package. The combination of their optical characteristics, robustness, user-friendliness, range of focal lengths and surprisingly small size –smaller than many commonly used spherical primes – has made them popular worldwide. Such a combination begins with a new design from the ground up, with a sharp eye on the factors that contribute to lens size – an important consideration for cinematographers in the field. Introduced ten years ago, the V-Lites have set the industry standard. With low distortion and increased definition across the entire image, V-Lites match other Hawk Anamorphics perfectly. High contrastSmall and lightweight Hawk V-Plus 35mm Anamorphic - cf 2ft6"Hawk V-Plus 50mm Anamorphic - cf 2ftHawk V-Plus 65mm Anamorphic T3 - cf 1ft2"Hawk V-Plus 75mm Anamorphic - cf 2ftHawk V-Plus 100mm Anamorphic - cf 3ft3"Flight Case Hire the Set of Hawk V-Lite Anamorphic Primes from Procam Take service and rental rates for the Set of Hawk V-Lite Anamorphic Primes and all cameras, lenses, sound, lighting and grip.